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Cantet’s vision of 50s small-town America is loose but evocative, and the scenes in which his film’s girl gang takes revenge against the town’s menfolk are superbly handled. However, while Foxfire starts and finishes well, the film suffers from a dramatic lull in the centre of the picture that drains much of the story’s energy and momentum.
Laurent Cantet: Based on: Foxfire: Confessions of a Girl Gang by Joyce Carol Oates: Starring: Katie Coseni; Raven Adamson; Claire Mazerolle; Rachael Nyhuus; Paige Moyles; Lindsay Rolland-Mills; Cinematography: Pierre Milon: Edited by: Robin Campillo Stephanie Leger Sophie Reine: Production company. Haut et Court. Distributed by: The Film Farm: Release date. September 11, 2012 () Running.
Cantet and co-scriptwriter Robin Campillo provide a somewhat streamlined version of the novel, with some trimming of episodes in its middle-section. (We don't get to see Legs apply for a job dressed as a boy. Also, perhaps mercifully, we don't have a scene where the Foxfire girls witness the sexual exploitation of a woman with dwarfism.) But for the most part the adaptation sticks closely to.
Foxfire: Confessions of a Girl Gang is very much a girls’ story, and, as such, defines itself in sometimes playful but more often uneasy opposition to a male- and adult-dominated world. We sense that this opposition is not so easily maintained as the gang-girls imagine it might be. We sense that neither sex can live without the other; that the dream of a FOXFIRE HOMESTEAD, a Utopian.
Laurent Cantet (The Class) crosses the Atlantic for his account of a girl gang in 1950s America. Re-appropriating a traditionally male genre, the film's female perspective highlights the.
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